O somma luce

《O somma luce》上映于（2010法国），讲述的是　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub　　“The end of paradise on earth.”—Jean-Marie Straub　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.　　The mise en scène of what words exactly?　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.　　Is “Straubie” Greece?　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich，是一部法国制片作品，由Giorgio Passerone 等领衔主演。影片(剧)类型为电影，对白语言为其它。
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Q：电影《O somma luce》是什么时候上映的？
A：这部影片的上映时间是：（2010）

Q：《O somma luce》电影在哪个电视台播出？
A：《O somma luce》目前只有网上如腾讯视频、爱奇艺、优酷、西瓜电影网等播出，没有在电视台播。

Q：《O somma luce》电影演员有哪些？
A：O somma luce是由让-马里·斯特劳布执导，Giorgio Passerone主演的剧情片剧。。该剧于在腾讯、爱奇艺、西瓜电影网、优酷、等平台同步播出。

Q：哪个网站可以免费看电影《O somma luce》？？
A：不用VIP就可以在线观看的网站地址：http://www.nbhxx.com/mp4/133133.html

Q：《O somma luce》讲述的是什么故事？
A：来自西瓜电影网网友的回答：该电影讲述了　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub　　“The end of paradise on earth.”—Jean-Marie Straub　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.　　The mise en scène of what words exactly?　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.　　Is “Straubie” Greece?　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

Q：《O somma luce》主要演员有哪些？
A：该影片的主要演员有：Giorgio Passerone 等人。

Q：《O somma luce》有多少集？
A：腾讯视频网友：目前O somma luceHD。具体总集数可以去百度问答看看！

Q：Giorgio Passerone的演技怎么样？在《O somma luce》这部剧中，你觉得Giorgio Passerone 的演技怎么样?
A：影视大全网友：最近有Giorgio Passerone 等演员主演的O somma luce一经播出就受到了很多观众的欢迎和认可，这部电影里面，演员的演技都是非常值得肯定的，我觉得Giorgio Passerone在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品。

Q：《O somma luce》电影哪里下载
A：百度视频网友：西瓜电影网为您提供《O somma luce》迅雷下载、西瓜视频下载等。

Q：手机端软件app怎么免费看《O somma luce》电影
A：电影天堂网友：您可以用手机打开百度APP在搜索框里输入：O somma luce手机在线观看免费，就可以找到免费正版播放资源了。手机免费看O somma luce网址:www.nbhxx.com/mp4/133133.html，这个网站无广告免费在线观看。

Q：哪个软件可以在线观看O somma luce电影
A：yy6080影视网友：很多地方都可以看呀，我是在www.nbhxx.com/mp4/133133.html上看的，打开APP后直接搜索“O somma luce”就能看了。

Q：《O somma luce》评价怎么样？
A1：豆瓣电影影评：我其实是想给O somma luce4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对法国剧情片非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，香港国产剧只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些法国剧情片可能通通都只能有三四颗星以下。
A2：1905电影网影评:《O somma luce》呈现出的现代城市⽓质则让⼈尤为亲切。在当下创作环境⾥，导演让-马里·斯特劳布能坚定地从内⼼感受出发，严肃直⾯社会与个⼈碰撞后的荒谬感和悲剧性，这种勇⽓和表达的技巧都是值得称赞的。虽然《O somma luce》在⽬前法国推崇娱乐商业⽚的市场⾥显得卓尔不群，但对于法国的主流观众来说，它绝不是⼀部⽣涩难懂的电影，也不必担⼼观众⼝碑问题。
A3：mtime时光网影评：可视的道具利用人们对影片故事情节的了解，制造了恐怖的悬念和暗示，从而激发了观众心中与生俱来的恐惧，这种意味明确的道具在故事进程中的重现，对将故事推向高潮，将观众审美心理推向更积极的参与阶段，使观众对故事信息的重组和判断都有着非常迅速、非常鲜明的作用。
A4：烂番茄影评：观影建议：这是一部真正适合电影院的电影，所以和麦当劳巨无霸一个道理，屏幕越大越好。另反感法国人的，尤其是心系形象建设的，普及标准普通话的，建议别看，否则会被高口碑骗得裤子不剩哈。o(╯□╰)o